The Alternate Picking Technique in Electric Bass Guitar Performance of the Song “Pasu-Pasu Hatami” at HKI Hutabarat Partali Toruan

Abstract

This study focuses on the application of the alternate picking technique in electric bass guitar performance for the Christian song “Pasu-Pasu Hatami / FirmanMu Berkatilah” at HKI Hutabarat Partali Toruan. Alternate picking is one of the fundamental techniques in bass guitar playing, utilizing alternating movements of the index and middle fingers to produce a more structured, dynamic, and expressive performance. The purpose of this research is to identify the proper implementation of the alternate picking technique and to analyze its impact on the quality of bass guitar performance in accompanying the song “Pasu-Pasu Hatami.” The research employed a descriptive qualitative method, with data collected through observation, interviews, and documentation. The study was conducted at HKI Hutabarat Church, Tarutung Timur I Resort, involving informants such as the pastor, music teacher, music coordinator, and congregation members. The findings indicate that the alternate picking technique enhances the quality of bass guitar performance by producing stable tones, maintaining consistent rhythm, and adding emotional and spiritual depth to the song. This technique is highly suitable for worship settings, as it supports a reverent atmosphere, strengthens musical harmony, and helps the congregation internalize the meaning of God’s Word being proclaimed. This study emphasizes that alternate picking is an essential technique in bass guitar performance for Christian songs—particularly “Pasu-Pasu Hatami”—as it not only enriches church music arrangements but also reinforces the congregation’s expression of faith.